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UrbanTango The Urban Tango Phenomenon
Explained
An interview with Makela Brizuela,
by Jeffrey the Barak.
Published January 2007 In 2006, a very different
dance performance was first presented in Venice California. Entitled "URBAN
TANGO, The Agony and Ecstasy of Amateur Tango - In Search of the Elusive Embrace",
it was different in many ways and attracted the attention of many in the dance
community. Directed and choreographed by Makela
Brizuela, the cast consisted of amateur Tango dancers, not professional dancers,
and most of the cast were students of Makela. But even more unusual was the theme. In
a dance performance without spoken word, whether ballet or in this case, Argentine
Tango, it takes a little more than the performance itself to explain what exactly
is being conveyed by the dance. In 2006, the amateur performers seemed inspired
by the passion of this event, and were heard enthusiastically explaining the concept
and theme of the show to anyone who would listen. The
concept was repeated and passed along, and in some cases the theme may have been,
shall we say incorrectly described as third and fourth hand versions made it down
the line of communication. But one thing was clear, something about this event
really got everyone stirred up. With the reappearance
of the show in February 2007, it is appropriate that the creator get a word in
and talk a little about herself as well as Urban Tango… It
is unusual to find a Tango instructor with a B.A., an M.A., or a PHD, but despite
her chosen profession, Makela has one of each. How does someone with your academic qualifications choose the life
of a Tango instructor?
I studied ballet since an early age, and danced my entire life. When I was 10-12
years old, I used to direct my little sister (she was 6 years younger than me),
to create little plays for our family. Even though dance was a major part of my
life, my parents thought that I also needed to stimulate my brain, and that is
why I chose a career that was as close as art as possible: Literature. I went
to the University of Buenos Aires where I finished my BA When
I started to study Linguistics as a requirement, I got fascinated by the power
of language in communication. At that time I realized, that I am the most passionate
when I can make a difference in peoples lives by helping them out to communicate
between each other. I finished my MA and PHD in General Linguistics at USC in
1999. How did
you get local Tango dancers, and students of dance to cross the line into public
performance?
When I started dancing tango
in 1995, the power of language in communication made even more sense. I was for
the first time able to connect to another human being at a total different level,
feeling ecstasy without using words.
Being an Academic and a Professor
would not have given me the opportunity of touching the lives of people in the
same way. When I teach Tango, I can see how human beings are transformed to the
best that they can be. Tango takes them to a journey of interpretations of rejection,
inadequacy, isolation; all these feelings are rooted in each individual's past.
Dancing Tango is so rewarding, that most of the people are willing to face those
fears, and overcome them to enjoy the dance. In many of the descriptions of the theme of this performance, people
are talking about the typical situation at a Milonga (Tango Dance) where the women
have to wait for the man to ask them to dance, and of course it's quite the same
in the Ballroom community. How does Urban Tango address this?
Being a woman without a steady partner in this Tango Community had taught me lots
of things. There were periods where I was thinking that there were 'scarcity of
men', other periods where I thought that 'men are all losers', other periods where
I thought that 'the women are the problem', and it was a very long journey, until
I realized that the power of enjoying tango is within myself. When I go to a MILONGA
(social event) it is up to me to enjoy it or to be miserable in it. So, in order
to have a good time, I consciously either try to meet friends there, or I will
try to have a goal (for instance learning by observing dancing), or I would go
just to see people. Suddenly everything started to open up.
When I started
teaching I got lots of complaints from women that men are this or that, that they
sit and wait forever at the Milonga, and that they do not enjoy tango, and I wanted
to do something about it. That is how URBAN TANGO was born. I saw that I have
a responsibility as a woman on my own, to allow other women to see that the experience
of tango is totally up to them. It doesn't matter if there are not enough men,
or if some women are not nice to each other. It is up to us what we create in
our community.
As a result, we started to see great changes. The men
in our show, are very supportive of us, and they understand that they are helping
us to express a female point of view. We are very grateful to them, and they are
the proof that there are AMAZING men in the tango community, we just need to let
them show up like that. We also started creating strong bonds between women, that
went through difficult process of healing, but that resulted in a safe community
where dancing is enjoyed.
Urban Tango shows the process that woman goes
through when they chose Tango as their way of self-expression. First she goes
to a Tango Class and feels the joy of it, she starts practice and to have fun
with it, until she goes to a milonga and have a bad experience. That bad experience
(for instance, sitting and waiting all night, or being hurt by a man, or falling
in love with the wrong man, etc. etc.), does not allow her to enjoy the dance,
so her first reaction is to be angry at women. That competition does not go anywhere,
and then she starts to feel really sad. By supporting each other, and by allowing
herself to experience that pain, very slowly she realizes that the power is in
herself. From there on, she starts enjoying tango fully.
How did you approach the students and local Tango dancers with the
opportunity to perform publicly?
When I called my students with this opportunity I was surprised, because most
of them told me that they would do the project just to work with me. I was blown
away. They saw, even more clearly than me that I was aiming for a transformation
of an entire community. I made sure that they understood that this project would
allow them to see their dream come true, not only to enjoy the ecstasy of tango,
but also to be able to share this with the women and men in the audience.
URBAN
TANGO, The Agony and Ecstasy of Amateur Tango - In Search of the Elusive Embrace
will again be performed in Venice, California, at the Electric Lodge, in February
2006.
Makela's website is: http://www.makelatango.com/ Tickets
for the show can be purchased here: http://www.brownpapertickets.com/event/8979 You
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